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The DM1000 redefines the meaning of small format Digital mixer

The DM2000 Digital Production Console and 02R96 Digital Mixing Console having established in the professional production market this year, Yamaha is launching yet another new console at AES in October 2002. The new DM1000 digital production console is a direct sibling of the flagship DM2000, in a very compact rack mountable body of 577 (D) x 199 (H) x 430 (W) mm (22.7" x 7.8" x 16.9"), 19 kg (42 lbs). While it shares key features such as 96 kHz audio, Surround Monitoring, Studio Manager, and DAW Control with the DM2000 and 02R96, the DM1000 is designed especially for commercial production needs such as post-production, audio for video, and broadcast. Being rack mountable, it can also be used in any application, including live sound reinforcement.
The three consoles DM2000, 02R96 and DM1000 are compatible with each other, with mix data easily interchangeable using bundled Studio Manager software.
From large format to small format, Yamaha offers a solution for all digital mixing needs.

96 kHz standard

Unlike conventional equipment that operates in 96 kHz mode only with a reduced number of channels, this Yamaha console imposes no such limitations, delivering the full number of channels at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96 kHz resolution with 32-bit internal processing and 58-bit accumulators is the standard for the DM1000 (and for the DM2000 and 02R96).

With the DM1000, you get 48 channels of transparent, super-dynamic 24-bit/96 kHz audio, plus all the additional effects and processing you’ll ever need for most applications. Yamaha has included a comprehensive range of 96 kHz compatible stereo effects with 32-bit internal processing in the DM1000 - plus several designed specifically for surround. And you can use as many as four individual effect processors simultaneously.

Finest analog mic preamps & converters

The head amplifiers are derived from the acclaimed DM2000 -- some of the finest analog mic preamps available in any console, anywhere. The on-board 24-bit/96 kHz AD/DA converters ensure that you get an excellent digital representation of the warm, transparent output from these remarkable mic preamps.

The DM1000 is equipped with 20 analog inputs with XLR connectors, 16 of which have mic preamps, and 12 analog outputs with XLR connectors. It also provides two I/O slots each capable of 16 channels of I/O, which you can configure to your needs using Mini-YGDAI digital and analog I/O cards.

48 channels in three layers, plus extraordinary patching flexibility

One of the advantages of working with digital is that it allows maximum power and flexibility to be packed into minimum space. On the DM1000, seventeen precision 100-millimeter motorized channel faders can be instantly layer-switched to control any of 48 channels, plus auxiliary, bus, and remote channels. What’s more, all available inputs, outputs, effects, and channel inserts can be assigned to any of the console’s channels or outputs via the DM1000’s remarkably versatile, easy-to-use digital patching system. The eight auxiliary buses can also be patched to anywhere in the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time.