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MG24/14FX
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제품 상세설명
An Impressive Lineup with a Common Theme – |
Whether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha’s MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you’re likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior. |
Lightweight, Portable Designs |
Designing a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you’ll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MGseries mixers provides significant space savings along with huge performance benefits. |
Versatile Connectivity and Pro-class Connectors |
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. |
Built-in Channel Compressors |
This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won’t find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha’s innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha’s one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. |
High-performance Microphone Preamplifiers with Switchable Phantom Power |
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That’s why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha’s top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ 10dB for line input), so you’ll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. |
3-band Channel EQ and High-pass Filters |
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers’ range. |
Built-in Digital Effects ("CX" Models) |
There’s an astonishing amount of signal processing power packed into the compact chassis of the MG "CX" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. You can even blend the effects into the aux sends for "wet" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer’s effect footswitch jack for convenient on/off switching. Aux/Effect Sends All models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. "CX" models have EFFECT send contr |
스펙
MG 24/14FX
SPECIFICATIONS
Total Harmonic Distortion:
Less than 0.1% (THD N)
20 Hz ?20 kHz @ 14 dB 600 ?(ST OUT)
Frequency Response:
0 1, -3 dB
20 Hz ?20 kHz @ 4 dB 600 ?(ST OUT)
Input Hum & Noise *1:
-128 dB
20 Hz ?20 kHz, Rs=150 ? Input Gain=Maximum, Input sensitivity=-60 dB
Crosstalk:
-70 dB @ 1 kHz
CH Input
Mic: 16 1 (Input A 1 ?16, Talk Back: XLR)
Line: 16 (Input B 1 ?16: TRS)
Stereo: 2 (Ch 17 ?18, 19 ?20:TRS) * Ch17, 19:L(MONO)
2 (Ch 21 ?22, 23 ?24: TRS/RCA)
Insert I/O: 16 (Ch 1 ?16: TRS T:Out, R:In, S:Gnd)
AUX
Send: 6 (1 ?2/Post-Pre selectable, 3 ?4/Post-Pre selectable, 5 ?6/Post: TRS)
Return: 2 Stereo Sub In (L/MONO, R: TRS)
EFFECT
Send: 2 (1, 2: TRS)
2TR
In: 1 Stereo (L, R: RCA)
REC
Out: 1 Stereo (L, R: RCA)
ST
Out: 2 Stereo (L, R: 2 TRS & 2 XLR)
MONO
Out: 1 (XLR)
ST SUB
Out: 1 Stereo (L, R: TRS)
GROUP
Out: 4 (1 ?4: TRS)
Phones: 1 (TRS Stereo)
Phantom Power: 48 V
CH & ST Ch Input Gain Control: 44 dB valiable
CH EQ (MONO) *2?5 dB (Max.)
High: 10 kHz (Shelving)
Mid: 0.25 ?5 kHz (Peaking)
Low: 100 Hz (Shelving)
CH EQ (STEREO) *2?5 dB (Max.)
High: 10 kHz (Shelving)
Hi-Mid: 3 kHz (Peaking)
Low-Mid: 800 Hz (Peaking)
Low: 100 Hz (Shelving)
MONO Out Low Pass Filter: 80 ?120 Hz 12dB/octave
Internal Digital Effect:
SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
Dimensions
Width: 852 mm
Depth: 540 mm
Height: 150 mm
Weight: 21 kg
Power Requirements
UL/CSA: 60 W 120 V/60 Hz
GENERAL: 60 W 230 V/50 Hz
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동영상
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사용자평가
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가격대비,,좋아요 2008-09-14 오후 2:18:32 최요헌디자인 :
성능 :
가성비 :
가격대비 너무 훌룔합니다
저가형믹서임에도 불구 이큐단이 너무 잘 먹구요,,,
꼭 필요한 기능만 충실하게 들어 있습니다
내장 이팩터도 듀얼이라 다양하게 활용가능하고요
리뷰
질문과 답변
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업체회원 신청 방법은,
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음향/영상 업체를 운영하시고 계시다면 꼭 업체회원으로 신청하셔서 많은 혜택을 받으시기 바랍니다.
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