YAMAHA MG16/4 | 뮤플

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MG16/4

YAMAHA
제품코드 : 780

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음향기기 > 음향 > 믹서 > 종류 > 아날로그 믹서

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제품 상세설명

 

MG12/4, MG16/4


Extensive Creative Control In the Studio Or On Stage
The mid-range MG models go beyond the basics to give you extensive control for a wide range of applications – with the no-compromise Yamaha sonic quality that makes the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction. If you don’t need effects, or already have an arsenal of outboard favorites, the MG12/4 or MG16/4 may offer all the capacity and capabilities you need.

INPUT SECTION

12 or 16 Input Channels
The MG12/4 feature a total of 12 input channels: four mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability. The MG16/4 feature eight mono microphone/line inputs and four stereo line inputs, two with mono microphone input capability. Gain trim covers a wide -60dB ~; -16dB range for microphone input, and -34dB ~; 10dB for line input.

A Variety of Input Connectors
Balanced XLR connectors are provided on all four or eight mono inputs and two of the stereo inputs (a total of six XLR connectors on the MG12/4 models, and ten on the MG16/4), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining two stereo inputs feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pinjack connectors is provided for independent input of signals from CD players or similar sources.

Six or Ten Low-noise, High-precision Mic Preamps
Six high-performance head amplifiers in the 12-channel modes or ten in the 16-channel models will bring out the best in any dynamic or condenser microphone.
Phantom Power
All high-performance mic preamps in these consoles feature switchable phantom power for studio condenser microphones. A single switch turns phantom power on or off for all channels.

Insert I/O
Mono input channels feature insert I/O patch points so you can add compressors or EQ for vocals, a noise gate on a guitar channel, or other extra signal processing to individual channels as required.

3-band Channel EQ & HPF
Smooth, "musical-response" 3-band equalizers are provided on all MG12/4 and MG16/4 input channels. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

Four Buses (Stereo and Group)
In addition to the main stereo bus, the MG12/4 and MG16/4 feature a stereo group bus and outputs that can be used for convenient channel grouping. Stereo and group bus assign switches are located above each channel fader. You could, for example, mix your instrument sources to the stereo buss while creating separate groups for the main vocal and chorus channels … or any bus configuration you need for your application.

MASTER SECTION

Aux and Effect Sends & Stereo Aux Return
The MG12/4 and MG16/4 have one post-fader AUX send and one pre/post switchable AUX send. Whichever model you choose you have plenty of flexibility for external signal processing and monitoring. A stereo auxiliary return is also provided.

A Comprehensive Selection Of Output Connectors
In addition to the main L and R XLR and phone-jack stereo outputs, these versatile mixers also offer phonejack control room, pin-jack recording, and stereo phone-jack headphone outputs. You have plenty of outputs for a wide range of applications – monitoring, master recorder feed, etc. Phone-jack group outputs are also provided to allow independent output of the group bus mixes.

12-segment Meters for Accurate Visual Monitoring
Output level monitoring is made accurate and easy with high-visibility 12-segment level meters on the stereo and group buses as well as the 2TR inputs.

EASE OF USE

Reliable 60-millimeter Faders & Illuminated Switches
Reliable, high-performance 60-millimeter faders provide smooth, noise-free level control. while original Yamaha illuminated ON (ST buss assign), PFL (Pre-Fader Listen), and phantom power switches prov

스펙

SPECIFICATIONS

Total Harmonic Distortion:
Less than 0.1% (THD N)
20 Hz ?20 kHz @ 14 dB 600 ?(ST OUT)

Frequency Response:
0 1, -3 dB
20 Hz ?20 kHz @ 4 dB 600 ?(ST OUT)

Input Hum & Noise *1:
-128 dB
20 Hz ?20 kHz, Rs=150 ? Input Gain=Maximum, Input sensitivity=-60 dB

Crosstalk:
-70 dB @ 1 kHz

CH Input
Mic: 10 (Ch 1 ?8, 9/10, 11,12: XLR)
Line: 8 (Ch 1 ?8: TRS)
Stereo: 2 (Ch 9 ?10, 11 ?12: TRS) * Ch9, 11: L (MONO)
2 (Ch 9 ?10, 11 ?12: TRS/RCA)
Insert I/O: 8 (Ch 1 ?8: TRS = T: Out, R: In, S: Gnd)

AUX
Send: 2 (1/Post-Pre selectable, 2/Post: TRS)
Return: 1 Stereo (L/MONO, R: TRS)

EFFECT
Send: ?

2TR
In: 1 Stereo (L, R: RCA)

REC
Out: 1 Stereo (L, R: RCA)

ST
Out: 2 Stereo (L, R: 2 TRS & 2 XLR)

C/R
Out: 1 Stereo (L, R: TRS)

GROUP
Out: 2 (1, 2: TRS)

Phones: 1 (TRS Stereo)

Phantom Power: 48 V

CH & ST Ch Input Gain Control: 44 dB valiable

CH EQ (MONO) *2?5 dB (Max.)
High: 10 kHz (Shelving)
Mid: 2.5 kHz (Peaking)
Low: 100 Hz (Shelving)

CH EQ (STEREO) *2?5 dB (Max.)
High: 10 kHz (Shelving)
Hi-Mid: ?
Mid: 2.5 kHz (Peaking)
Low-Mid: ?
Low: 100 Hz (Shelving)

Graphic Equalizer: ?

Internal Digital Effect: ?

Dimensions
Width: 423 mm
Depth: 417.5 mm
Height: 104 mm

Weight: 5.2 kg

Power Requirements
U/C: 38 W 120V/60 Hz
H: 38 W 230 V/50 Hz
B: 38 W 230 V/50 Hz
K: 38 W 220 V/60 Hz
A: 38 W 240 V/50 Hz >

 

제품사진

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리뷰

질문과 답변

음향기기 > 음향 > 믹서 > 종류 > 아날로그 믹서
780
MG16/4
음향기기 > 음향 > 믹서 > 종류 > 아날로그 믹서
0.0000
KRW
3
5
그리 추천하고 싶지 않은 믹서입니다.
기능은 정말 많지만, 덩치만 커진듯한 느낌입니다.
기본기능에 충실하지 못한 제품이며, 잔고장이 많고,
이퀄라이저는 정말 예민합니다.
4
5
소형 믹서인데두 참 좋구요!
EQ가 확실하게 먹어서 정말 좋아요!!
5
5
이전에 교회에서 메인으로 사용하던 제품인데,,
소규모 규모에서 찬양단의 인원이 많지않다면,,,간단하게 운용가능한제품입니다,,
가장맘에 드는 것은,,,야마하 소형믹서의 특징인,,,이큐가 엄청확실하게 먹는다는것입니다
4
5
MG16/6FX 에서 이펙터 부분을 뻬고 콤팩트하게 나온제품입니다
가격이 훨씬 저렴해 지네요~
일제이면서 이가격이 나오는지 약간 의심까지 가네요 ^^;;
괜히 허접한 이펙터를 다느니 이펙터를 따로 달거나
아니면 그냥 생톤으로 쓰시는 것을 개인적으로는 추천합니다
그래도 야마하 이펙터이니 무시하지는 못하겠지만요 ^^
4.4
4
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